Wednesday, March 20, 2024

Existential thoughts in Daiso

 I know I have reached peak auntie status when the sight of plastic containers in different sizes excites me. Microwaveable, sleek canisters, child-sized. I imagine all the possibilities of displaying them at home to store our half-eaten snack packets. Yet I don't buy any of them because I think I could find cheaper options on shopee, with $1 delivery.

Yet I consider myself still "young mother" because I end up buying pouches for makeup, not for children's toys. Somehow these "aurora" prismatic materials and bright prints will keep me young.

I tried to be that kind of artist for a season. Loud, loud, loud prints, nubile subjects. Holographic stickers and portraits of people who looked like they did nothing but party. While my reality could not be further from the fantasy I drew; I never went out anymore past 8 pm.

It's no wonder then that the world never really accepted me as that kind of new artist. It's as if they could sniff the inauthenticity and shut the door on me. Stay in your generation's lane. Instead, by accepting only the portraits, they kept me a mother, a woman at home, a person whose social circle is her family. 

But maybe only this way, through creating the things that fall naturally around me daily, will I have anything of truth to give to anyone. Because all I want is the set of food canisters to make my home complete.

Wednesday, February 28, 2024

Things I Mourn the Loss of

 The smell of sweet cinema popcorn.

The last possibility of T wearing an oversized MGS uniform for a first-day-of-school photo.

A tailbone well enough to withstand roll-ups, Russian twists and crunches.

The confidence of flea markets and shoddily-made jewelry and namecards.

Having a travel list that assumed Europe would be ticked someday.

Baby fat.

Company.

Sunday, January 28, 2024

Anti-reflection on the Week

 Monday: Tension over breakfast, tears over lunch, but all was made well with chendol.

Tuesday: Coldplay and our first night out without kids. A view of a thousand stars and being content with half a show. Babysitters put our firstborn to sleep.

Wednesday: A day I don't even remember. Shopping.

Thursday: Reia had her second seizure just as Theo and I were playing "fainting." Dinner cancellation and the start of 24 hours of...

Friday: ...trying to manage an active post-seizure toddler in hospital and starting to compare whose tiredness is more tired.

Saturday: A wedding with spicy food, big talks at Astons, putting angry kids to bed.

Sunday: Realising that being told I dress young does not make me feel young; in fact I feel old, very old, especially this week.

When I'm not collapsing from exhaustion at night, I stay up with my portrait sketches and music playing from my inferior phone speakers. It's good enough a combi to remind me of those late university nights being "in the zone". 

Strangely these portraits seem to be the thing God has touched. I've tried my hardest to be every other kind of artist but nobody would have me. Yet these many family portraits have brought me to an Eric Liddell-level of performance, where "I feel God's pleasure" as the faces appear on my paper at will. When I was at Louis Vuitton underneath those throbbing speakers, churning out portraits in a very different kind of frenzied zone, this was the single thought that emerged through the chaos. That all my years of fashion illustration and reluctant family portrait practice have brought me to this point, where I can do twenty odd portraits with the subjects peering over my shoulder, and feel absolutely flying. This is what I wanted years ago, but I wasn't ready till now. Not without those portraits of grandparents, babies, pets and nieces. 

It's been a rollercoaster of a week, and yet my concluding thought is of portraits. 

Tuesday, December 05, 2023

Jingle Bells Under the Window

 "seveneightnineten, ready or not, here I come!"

I hold my breath, crouched behind the day curtains in the dining room. Beside me are my father's amplifiers and laptop bags stacked up and tucked into the alcove beneath the window. I hear Theo's footsteps patter-smatter into the kitchen. She doesn't see me anywhere and runs back into the living room. I'm certain the dark lump of my silhouette can be seen through the curtains, but I stay still enough to resemble amplifiers. 

Something hurts from holding my position, so I shift my weight and look around. The alcove is peach-coloured where they ran out of white paint from repainting the room. On the bottom of the window grille there are numbers scrawled roughly by the construction workers in marker ink. The last time I saw these numbers, I was probably also playing hide-and-seek.

Theo's footsteps are still pattering around the house wildly. I'm safe here. My father is playing Jingle Bells on the piano, figuring out chords and progressions as he goes along. I stay still in this moment, closing my eyes to remember it, me hiding and listening to him play. 

I will be thirty-seven years old at the end of this year. I have the beginning of marionette lines and white hairs to cover. I'm back at my parents' house on a Sunday because my one-year-old is too active for me to bring to youth service anymore. I've had career dreams that ran past their expiry date and are now shrivelled up; I don't have dreams anymore. I have a three-room flat but yearn for more space for laundry and storage. I choose reality dating shows over art films every night. I don't exercise anymore because dragging two kids around makes my hips ache. My six-year-old was diagnosed with autism this year. 

I'm old enough, disappointed enough, to know that Jingle Bells under the window is a gift. An extra bit of time from my childhood that God wrapped up and left behind these curtains for me to discover all these years later. I am nine years old again in that late afternoon spot of time before Christmas guests arrive, when all the food is cooked and the table already set, and my father plays the piano. I am here, I am here, and in this moment, I am completely happy.

"Try the dining room, somewhere in the curtains," he says, still playing. Even without turning around to see, he knows where I am. There are giggles and shrieks, and --poof--the curtain is pulled open and my two daughters cackle and stumble into me. 

Monday, December 04, 2023

Nips

 Some time after October 7th, I was doing a deep dive into the Nakba and everything that has happened since. The endless killings, the air raids, death upon death upon death. When I came up for air by switching to Instagram, the first thing I saw was Kim Kardashian promoting her new Skims bras with built-in nipples. That was when I was done with this crazy world.

Thursday, October 26, 2023

Being needed

 There must be a perfect balance between being needed and not. 

Tonight I was needed too much. The six-year-old barging in on my shower to poop in front of me, then to tell me she wants me to feed her the remains of her dinner. The one-year-old screaming bloody murder unless she was seated on my lap in a very specific way, and bursting into tears every time I disappointed her by getting up to get something. 

I love them awfully. But when my husband went out for dinner and drinks and I was trying to bathe a hysterical, slippery toddler, "it's not fair" kept replaying itself in my head like a bona fide devil's whisper.

 "It's not fair" that he gets to go out for me-time when I had none today.

"It's not fair" that he's meeting two groups of friends while I only had these two crazies.

"It's not fair" that I'm being held hostage by the nipple for hours and have never been out with my friends since our second child was born.

I tried to tear up my comforter. It made me feel better. 

How I would love one day of not being needed, I thought. Not at work, not at home. Nothing to answer to except the waiter asking what drink I would like by the pool.

But then I realised how lonely it would be to not be needed. 

This season will pass, bla bla bla. Tomorrow I will insist on my right to take my break, and we will all feel better, won't we? Man, motherhood is hard. 

Funeral Pastor fashion

My husband is a funeral pastor. Neither of us knew he would become one when we first started dating, he with his wild mop of hair and orange Birkenstocks. Nor did we know it when he got his tattoos: the cross on his wrist, our initials in katakana on his arm, and most un-pastorly of all, the giant glitched Stitch on his calf laughing maniacally.

He was an ACS boy who went to church with his grandparents, swerved predictably off the straight path, and crawled back to Jesus when he survived a drunk-driving accident that totalled his dad's car. New resolve led him to campus Christian meetings where we were thrown together as unlikely orientation group leaders. He had golden hair and nary a knack for serious Christian camps. I was an art student with rimmed black liner and sympathy for bad-boys-turned-good. In a sea of the most decent praying boys and girls, it's like we were meant to be partners. 

He graduated and became an accountant, wearing slim-fit M&S shirts cuffed at the elbows. Then he took a pay-cut to be a secondary school counsellor. Parents and teachers didn’t take him seriously because of his boyish face, despite the polo t-shirts and pants. But the kids loved hanging out in his office every break they got.

It seemed natural then, that he took on the role of Youth Superintendent in church. With a uniform of t-shirts and basketball shoes, he looked every bit the energetic mascot the church had been hoping for.

Our Philippines stint made him give up the role to another young father with a love for hipster pastor fashion. When we came back, however, they had to give him the pastoral duties that a retired staff had left behind. And that is how our big life plot twist happened: my husband became a funeral pastor.

His first funeral coordination was a sartorial disaster. What they forget to tell you about funerals is they can happen suddenly. With no time to find appropriate clothes, he scrambled together an oxford shirt and a pair of tight forest-green pants that wouldn’t quite stay up. He had only two belts. One was red canvas with the white printed words, “STAY COOL. BE SAFE.” The second was in brown leather with red, blue and white embroidered aztec print. With the aztec print belt and a ridiculously skinny hipster tie, he conducted his first funeral. 

Another time we ransacked the house for a funeral-appropriate bag for his laptop, after a colleague once offered to carry his festive Adidas Kids backpack at a wake so he wouldn't look like a misplaced student. All of our bags were multi-coloured, floral, neon, or leopard-print. Finally I found a free canvas bag we got from buying hay for our rabbit. It had the words “Oxbow” and a guinea pig on one side of it, but one could wear it printed-side-in and get a sturdy green-and-cream tote. “This is your best option.” He reluctantly concurred.

Several funerals later, we had curated a uniform of no-iron shirts, plain brown belt and navy blue bag, ready to go at any notice. Despite this, families often looked dismayed when he showed up and introduced himself as the one giving the homily. He had to tell them he was almost forty and that he was a full-time church staff, not an intern they’d sent. Sometimes it helped when his mask came down and they saw that he had the jowl of a grown man. 

He looks the part now, and he announces condolences slowly, at an octave lower than his usual high-powered rally cry. I'm proud of him, this man who revamped his wardrobe to do his best in a role he's still uncertain of. To commemorate this work, he got a tattoo of a red and blue church on his arm. You can change the shirt, but you can never change the man. 

 

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